John William Waterhouse
John William Waterhouse's Oil Paintings
John William Waterhouse Museum
6 Apr 1849 - 10 Feb 1917. English Pre-Raphaelite painter.

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Here are all the paintings of Giovanni Antonio Boltraffio 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
88570 Baptist and two donors Giovanni Antonio Boltraffio Baptist and two donors Oil on wood, 1500 cyf
88141 Maria mit dem Kind Giovanni Antonio Boltraffio Maria mit dem Kind c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr
89775 St Sebastian Giovanni Antonio Boltraffio St Sebastian second half of 15th century Medium Oil on wood transferred to canvas cyf
97783 St Sebastian Giovanni Antonio Boltraffio St Sebastian second half of 15th century Medium Oil on wood transferred to canvas cyf
84672 St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors Giovanni Antonio Boltraffio St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr
94064 The Resurrection of Christ with SS. Leonard of Noblac and Lucia Giovanni Antonio Boltraffio The Resurrection of Christ with SS. Leonard of Noblac and Lucia circa 1491(1491) Medium oil on poplar wood Dimensions Height: 234.5 cm (92.3 in). Width: 185.5 cm (73 in). cjr
86947 Virgin and Child Giovanni Antonio Boltraffio Virgin and Child between 1493(1493) and 1499(1499) Medium Oil on wood cyf
87004 Virgin and Child with Sts John the Baptist and Sebastian Giovanni Antonio Boltraffio Virgin and Child with Sts John the Baptist and Sebastian 1500(1500) Medium Oil on poplar cyf

Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.
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